指作品的氣勢與骨力。多形容文學(xué)藝術(shù)作品所呈現(xiàn)出的剛健勁拔的精神氣度和力度美?！皻夤恰边@一術(shù)語出現(xiàn)于南朝，與當(dāng)時的人物品評風(fēng)氣相呼應(yīng)，用來形容詩文、書法、繪畫等文學(xué)藝術(shù)作品中勁健的精神氣度和內(nèi)在骨力，與“風(fēng)骨”含義接近，而與“風(fēng)姿”（作品外在的風(fēng)貌姿態(tài)）相對。

This term refers to the emotional strength and the vitality of a literary work. It was first used during the Southern Dynasties, resonating with the social practice of making comment on people. The term was used to describe the emotional vigor and forcefulness of artistic works such as poetry, essays, calligraphy, and paintings. It is similar in meaning to fenggu (風(fēng)骨), but contrary to fengzi (風(fēng)姿), a term meaning external elegance of an artistic work.

引例 Citations：

◎言氣骨則建安為儔，論宮商則太康不逮。（殷璠《河岳英靈集·集論》）

論氣勢與骨力，能與建安時期的作品相媲美；論音節(jié)與韻律，能超過太康時期的作品。

In terms of its emotional vitality and forcefulness, the poem stands equal to works of the Jian'an Reign period; in terms of its musicality and rhythms, it surpasses the works of the Taikang Reign period. (Yin Fan: A Collection of Poems by Distinguished Poets)

◎觀魯公此帖，奇?zhèn)バ惆?，奄有魏晉隋唐以來風(fēng)流氣骨。（黃庭堅《題顏魯公帖》）

觀顏真卿這個法帖，奇特雄偉，秀美挺拔，全然具備魏晉隋唐以來的神韻氣骨。

This piece of calligraphy by Lord Lu (Yan Zhenqing) is amazing, vigorous, mellow, and forceful, fully illustrating the admirable emotional vitality and strength that characterized the style since the Wei, Jin, Sui and Tang dynasties. (Huang Tingjian: Inscription on Lord Lu's Calligraphy)

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供稿：北京外國語大學(xué) 外語教學(xué)與研究出版社

責(zé)任編輯：錢耐安